“Sex is such an interesting mode of inquiry – a petri dish for gaining knowledge about ourselves and our lusts and limits in the world.” Rachel Ang chats to Alex Creece.

“Our strength as queer, disabled people is our rage.” We chat to the team behind Oh, How We Laughed*, an anthology by queer, disabled writers.

Zinaida Gippius lived a rather queer life – between their affairs with women, highly publicised threesomes, cross-dressing, and more.

I think a lot of people who are put in the margins are naturals at storytelling. I guess we have to be in a way, otherwise who else would tell our history or our truths in a way that honours where we come from?

“The bond between girl and horse is more like the passionate friendship described in Victorian lesbian narratives.” Monica Nolan chats to Alex Creece.

“Those small acts of support – say, a parent affirming their child’s self-expression – create a profound ripple effect.” Rae White chats to Alex Creece.

“Who is the future already happening to?” Cavar, a transMad author, chats to Keene Short.

“There’s nothing more pathetic than being at a party, somebody asking what you do, and saying, ‘I’m a poet.'” Eileen Myles chats with Alex Creece.

“From chanting in the streets to a whispered song, this is how we carry our stories from one person to the next, from one generation to the next.” Jazz Money chats to Archer Magazine.

“I know that poetry is political. I know also that it’s inseparable from action.”
Hasib Hourani chats to Archer Magazine.

“I am in awe of Palestinian women. I have never seen such extraordinary patience, resilience and love for family.” Samah Sabawi chats to Archer Magazine.

I got my hands on Macho Sluts as a young dyke. Reading my way through my lover’s collection of erotic literature was an initiation of sorts.

Reading literature can help us tend to ourselves as if we were a sapling. Emerging into a non-binary self is like reaching for sunlight.

“If we were to jointly refuse normalisation, then there’d be no outsiders.” Cher Tan chats to Archer Magazine about her debut book, ‘Peripathetic: Notes on (un)belonging’.

Queer sci-fi sees a future outside of binary genders, sexualities and relationship structures that have hurt us for generations.

“‘Potty Mouth, Potty Mouth’ unpacks what it is to be a ratbag by nature, to be a little grot, to live in a failing way.” Alex Creece chats with Rae White.

When I read queer literature, I can connect to a community that, until now, has felt inaccessible.

Retelling is a means of refracting the white beam of light we’ve been given by the fairy tale canon, and revealing the rainbow within.

Yen-Rong Wong talks about her new book, Me, Her, Us, exploring race, sex, pleasure, kink, familial expectation and identity.

I once entertained the idea of posting a selfie online, three hours into my abortion, revealing me swathed in my own sweat.

I took refuge in the archives of lesbian literature, which felt like the only way I could connect to my community and their history.

The heart of this story is a karaoke booth in LA’s Koreatown where four queer Arabs are belting Queen at the top of our lungs.